3 / 5Long close burgundy dress with thin straps, a soft front edge and high leg opening on the image right; one hand rests on a railing.
Thin straps and a soft front edge sit above a closer long shape with a high leg opening. One hand rests on a railing.
A closer look · Photo 3

Burgundy strappy shape with one hand on a railing

The long close burgundy shape has thin straps and a softly falling front edge. Vertical and angular lines divide the bodice. A very high front leg opening lies on the image’s right, with longer fabric continuing at the side. One hand rests on a railing and the other stays low in front. Both silver-looking open ankle shoes are visible, although one is partly covered by the hem. Pinned-up hair and a pale V-shaped jewellery line complete the frame.

The hand on the railing changes the arm position and distribution of uncovered areas. Do not adopt the visible outline as a secure comparison with an ordinary stance. Shine confirms neither a particular fibre nor stretch construction. The particularly high shown opening also does not explain what would remain uncovered during your movements.

Add a view of the actual candidate without bracing, with both arms relaxed down. Compare your own jewellery beside the soft upper edge next. Your shoes and movements belong to the length and opening decision. Have the exact offered version shown before deriving a particular alteration from the extended side area.

At a glance

Thin straps and a soft front edge sit above a closer long shape with a high leg opening. One hand rests on a railing.

Frequently asked questions

Which stance adds to the hand on the railing?

An ordinary stance without bracing and with both arms down adds to the railing pose. It allows the actual candidate to be considered independently of that changed arm position.

Sources and further reading