Open wedding dress shoulders appear here beside a broadly visible pale skirt. Floral shapes decorate the bodice and lead into leaf-like areas over the upper arms. The skirt has larger quieter surfaces and pale overlapping sections. Hands hold it out at the sides. Water and grasses form the background without establishing a particular venue or an actual wedding date. The upper outline can be considered in relation to more of the dress than in the closer reference.
Begin at the boundary between the patterned bodice and quieter skirt. Decide whether you want that distribution before treating the held-out width as your starting point. The pose affects the spread you see. For your real favourite, also ask for a view with the skirt falling freely. Compare the two situations, separating the effect of the hand position from the outline of the dress when standing without that arrangement.
Return to the shoulder decision with an arms-forward movement at the fitting. Check how the floral upper-arm area sits. The picture does not confirm unseen connections or mobility. Choose the distribution of decoration and quiet surface as a visual idea, then establish the offered version, included pieces and necessary alterations on the actual product.