A pink evening dress places a large projecting flower shape beside the waist here. The longer pale forms stand out over the more densely patterned fitted dress. Fine side panels fall beside it to the floor. The bodice is arranged asymmetrically over one shoulder, with both arms raised above the head for the photograph. This pose makes the upper outline and large waist accent clear, but shows neither an ordinary table arrangement nor a confirmed gala appearance. A particular fibre or the attachment of the individual forms is not exposed either.
If that single large emphasis appeals to you, begin the real fitting with relaxed arms. Hold your intended bag beside the flower afterwards and choose its position. Sit at a table if a meal belongs to the schedule, checking the side detail beside the chair. Rehearse the hand movement you genuinely need for a planned appearance. The raised photographic pose is no substitute. Have any desired change of flower position explained on the actual model rather than assuming the visible shape can be moved or removed freely.