Bare shoulders sit above long floral-looking sleeves that begin below the shoulder tops. The rounded upper edge frames clearly outlined areas; the waist is narrower than the wide skirt with its visible front slit. Hands rest in front of the body, putting sleeve edges and wrists beside each other. A small necklace occupies the open upper area. These visible lines describe appearance without confirming a particular lace technique, fibre or internal support construction. The front also cannot reveal the same garment’s rear connections or show its entire movement range.
Use this example for the relationship between three positions: sleeve start, neckline curve and wrist. Photograph your real candidate with relaxed arms first, then reaching for an intended object. Check whether you want to readjust the upper edge afterwards. Add a planned bracelet or necklace individually to see its effect beside the already drawn sleeve edge. The slit and skirt width are further choices, not necessary consequences of bare shoulders. A full view in your own shoes and a seated test are therefore needed for the overall outfit. A rear view of this garment is missing here.