A floral waist transition connects the strapless upper section with the visible upper skirt in this close front view. Larger flower forms are dense above and become more separated below the waist. The upper edge has a pronounced curved two-part contour. The lower hem is outside the framing, so neither complete width nor possible details farther down can be assessed here.
Use the image to decide how the area below the bodice should begin. Would you like a quieter surface with trailing motifs first, or an immediate sequence of horizontal edges? This decision is independent of the actual garment’s hidden layer count. Visible flowers and visible rows are different outside features that should not be merged into one general request for multiple layers.
At a fitting, hold the bouquet aside to expose the join, then bring it to the centre. Compare how much transition remains visible. Ask for a complete view afterwards. A close photograph offers a useful upper reference, but should not decide the whole lower rhythm alone. Examine where the final flower ends in relation to any first visible row on the real model.