A white scalloped edge bounds a broad patterned overlay above a pale long dress area here. One arm extends to the side, making the wide boundary visible. A large bouquet of red, orange and paler flowers with greenery sits before the body. The upper opening looks softer and less repeatedly crossed than the robe references. This photograph supplies a deliberate alternative bridal form rather than documented evidence of kimono construction. It also confirms neither a particular fibre nor whether the visible outer layer is removable. The useful comparison concerns its actual outline.
Compare the curved boundary with the longer straighter side fields in the other images first. Do you want that softer edge specifically or mainly substantial surface around the arm? Try a real overlay with the dress intended beneath it and let your arms rest naturally as well. Add the planned bouquet afterwards to see how much of the centre it covers. A large floral accent need not transfer automatically when you choose another form. The reference then remains an understandable silhouette alternative rather than a vague shared label for every white garment with wide sleeves.