The closer olive-golden-looking form has fine straps and a draped upper centre. Several vertical lines organise the bodice before its lower region finishes more pointedly in the middle. The quieter skirt follows the hips closely and ends around the knee. Both hands meet near the front waist, overlapping part of the transition. Longer dark hair falls more heavily over one upper side. Shoes are outside the crop. Reflections alternate with quieter areas without identifying a particular fabric type.
Use the view for the relationship between a drawn bodice centre and quieter lower direction. Vertical lines establish no particular supporting construction. Olive appearance supplies no confirmed order colour either. Record the closer skirt line independently from the photographed upper form if that contour particularly appeals.
Request a front with both arms at the sides and corresponding back on the actual model. Compare length with your shoes and assess the skirt seated. Add bag or further jewellery afterwards. Ask directly about real inner layers and material details; visible gloss cannot supply a reliable answer for either.