5 / 6Upper side view of a pale dress with a higher starting line beneath the bust, fine vertical folds and long loose cuffed sleeves; hem and feet absent.
The pale finely folded front starts its fuller area higher beneath the bust. Long loose sleeves end in gathered cuffs.
A closer look · Photo 5

Higher starting line with fine vertical folds

The pale finely folded shape shows a higher starting line beneath the bust. The front surface becomes fuller below it and carries vertical folds downwards. Long loose sleeves gather at cuffs around the lower arm area. The body leans sideways against a door, with one hand lower at the side. Head and face are completely visible. The crop ends before the lower hem and leaves the feet out.

Use the image for the starting line’s position rather than a confirmed complete A-line. The whole lower outline is not visible. Leaning back changes the comparison with a straight stance, so add the same starting line with arms relaxed at the sides. Fine folds likewise confirm neither a particular fibre nor low weight. Hair also overlaps part of an upper connection.

Request a straight front view and the actual candidate’s entire lower shape. Then consider the same upper line with your planned hairstyle so that a connection is not partly concealed. Add the back and complete stance with your shoes. The doorway supplies a setting; it does not identify the offered model or its included pieces.

At a glance

The pale finely folded front starts its fuller area higher beneath the bust. Long loose sleeves end in gathered cuffs.

Frequently asked questions

Why add a straight stance to the leaning position?

Leaning sideways against the door changes the view of the higher starting line and fuller front. A straight stance on the real candidate adds to this shape comparison.

Sources and further reading