A broad area with pink flowers lies between seating in this rear three-quarter view. Short shoulder sections accompany the patterned bodice. The skirt becomes very wide below, carrying pink-looking flowers and trailing forms across longer pale surfaces. Drawing grows denser around the outside finish. The person turns sideways while the large rear section is deliberately spread on the floor. This distribution explains a motif arrangement rather than a confirmed length or fibre.
Choose whether flowers across the whole rear surface or the denser border attract you first. Either can be your priority. The room arrangement and person’s position also contribute to the overall impression. Compare a similar design in an unobstructed view rather than treating that entire setting as a requirement for the skirt shape.
Request the matching front and a straight rear view of the actual candidate. Let the skirt hang normally and walk briefly. If length needs changing, point to the motifs affected at the real finish. A spread photograph establishes neither particular alteration allowance nor a removable rear piece. Ask how a proposed new edge would continue on that garment rather than settling for a general shortening promise.