A narrow long bridal silhouette shows a deep shaped front line and long sheer-looking sleeves here. Pale drawing travels over bodice and skirt. The lower area broadens farther down and finishes near the floor. The person stands outdoors with one leg slightly forward and both arms lowered in different positions. The photograph makes a long continuous line its visible subject rather than explaining every state of the garment.
Compare this direction if you want a narrower outline for the entrance. Try the actual version walking at normal speed in your intended shoes. Look at where the additional lower width begins and whether you enjoy that position. This is a different choice from the depth of the upper line or amount of visible drawing.
Sit afterwards and inspect the shape at the chair rather than adopting only the standing photograph. Move your arms for a greeting and check the upper edges again. If you want more or less coverage, discuss the actual layers on the garment. Add the veil last so you can see the continuous dress line alone first and assess its relationship with another rear surface afterwards.