A closed broad skirt forms the large pale lower field here. Fine straps lead to a decorated V bodice and a narrow waist cord marks the boundary beneath. Pale motifs spread across the long skirt and remain visible through the front middle. One hand holds the side edge slightly out while the other stays nearer the body. Unlike the open outer reference, no narrower separate inner contour appears within a broad front opening. The photograph shows an independent closed-skirt arrangement rather than the same overskirt construction, supplying a useful countercomparison to the two visible levels.
Inspect the actual option without a lifting hand first. Do you prefer the large continuous area or want two visibly different lines specifically? Compare both possibilities from the same distance afterwards. Fine straps and the decorative bodice can be selected as separate features without committing you to that lower solution. Try the real skirt standing and seated in your shoes. Choose through actual front and side contours rather than which reference a hand opens farther for the camera, keeping the larger arrangement independent from an appealing upper detail.