Grey fringe-like tiers with long gloves show another moving surface from the broad feather-like upper edges. Several curved tiered rows run downwards through longer narrow lines. The bodice has broader shoulder areas and a front neckline; gloves and a small headpiece belong to the visible combination. The setting with a decorated sofa dates neither garment nor photograph. What matters is the distribution of repeated lower lines, which you can describe as its own visible preference.
Compare this directed idea with a single upper accent. You may want movement mainly at the skirt and a quieter neck area. Try an actual model without the extra gloves and headpiece first, adding each separately afterwards. You can enjoy the tiered lines without recreating an entire supposed period or accepting every accompanying piece.
Walk, stop and sit. Inspect the lower rows and try handling bag and outerwear. Ask about composition and care for a concrete offer. The image is a deliberate contour comparison rather than evidence of real feathers or a particular making method. Use it to describe the desired direction of the decorated area more precisely, then assess how those lines settle through your own ordinary movements.