5 / 5Seated rear with exposed shoulder areas and pale drawn dress back beneath a shorter fine veil with a curved decorated border; flowers at the low hair arrangement, one hand with a glass at the right.
A shorter fine veil with a curved drawn border emerges below flower-decorated hair. One hand holds a glass at the side.
A closer look · Photo 5

Shorter curved veil finish in a seated rear view

The shorter curved veil finish lies across a seated pale rear view. Exposed shoulder areas sit beside a lower dress back edge. The finer veil emerges beneath a low hair arrangement decorated with pale flowers. Its more strongly drawn border forms several curved sections while smaller pale points sit on the finer surface. One hand holds a glass at the right of the image. Upper head and the whole standing lower form are absent. Another cropped person and furniture provide background rather than confirmed product history.

Use the hand position as a question for your own combination. Where does the actual veil sit when you pick up or put down such an object? This single photograph cannot demonstrate that movement. Test intended hand actions with the offered piece and planned hair rather than borrowing the seated pose as general wearing experience.

Add a complete standing back and corresponding front of the same candidate. Establish which flowers belong to hair decoration and which motifs to the veil. A visible start explains no complete fastening mechanism, and the drawn edge proves no specific fibre or lace technique.

At a glance

A shorter fine veil with a curved drawn border emerges below flower-decorated hair. One hand holds a glass at the side.

Frequently asked questions

Which hand position is visible beside the shorter veil in the seated back?

One hand holds a glass at the right beside the shorter veil in the seated rear. That shows one moment rather than the full picking-up or putting-down movement; test your own hand actions with the actual piece.

Sources and further reading