3 / 5Pale front with broader floral shoulder areas, a deep V centre with a fine intervening surface and longer downward motif paths over a quiet broad skirt; one hand against the wall.
A deep V centre sits between broader floral shoulder regions. Longer motif paths descend over quieter outward skirt areas; one hand rests against the wall.
A closer look · Photo 3

Broader floral shoulder areas above quiet skirt panels

The pale front connects broader floral shoulder areas to a deep V-like centre. A finer-looking intervening region remains visible within the upper drawing. Denser motifs lead towards a narrower waist. Larger quieter long skirt surfaces open underneath, accompanied by longer downward floral paths. One hand hangs lower while the other rests against the wall at the right of the image. The full head and face are visible. Loose hair and longer fine ear accents frame the front. Lower fabric conceals shoes, and the entire hem is not continuously unobstructed.

Follow pattern route separately from where breadth starts. The V shape confirms no particular support, while the finer central area is not automatically exposed skin. Floral drawing proves neither fibre nor a shared collection. The wall hand belongs to the pose.

Request ordinary arm position and matching rear and side views on the actual offer. Add your shoes for the length trial. Record the preferred endpoints of longer floral paths on that precise dress before discussing possible alterations.

At a glance

A deep V centre sits between broader floral shoulder regions. Longer motif paths descend over quieter outward skirt areas; one hand rests against the wall.

Frequently asked questions

How does the wall hand affect the upper front comparison?

One hand rests against the wall at the side, taking that arm out of ordinary stance. Add a front with both arms relaxed down on the actual candidate.

Sources and further reading