The pale long front view shows many small round details across a high-neck upper section and the lower area. One long sleeve is clearly visible, while the opposite arm side is partly concealed. A hand holds a broad area of similarly decorated fabric outwards. Its outer edge forms a large pale curve. Beneath that spread area, a narrower long outline continues towards the bottom of the photograph.
This provides a counterexample to the short main reference’s freely hanging strands. The many round details here do not form equally clear long fringe rows. The considerable side width is also partly created by the hand position. It establishes neither the distribution with relaxed arms nor a detachable extra layer. The real connection of the held fabric needs to be checked on the actual garment.
For a similar idea, request two views: one with the area displayed sideways and another without pulling it out. Then compare the outline you actually want to choose. If the small round points are your main interest, note that surface separately from the held width. A photographic pose need not become an unsupported construction claim.