The complete pale front joins a shaped floral upper edge to broader upper connections. Longer pale areas hang down from the shoulders at the sides. The hands remain visible inside those side contours. Finer floral drawing and small reflective points spread across the broad skirt to the floor. A larger headpiece supplements the upper silhouette. Bright surroundings and backlighting identify neither material nor actual location or occasion. The picture does not confirm that the hanging areas are separate products.
Separate upper connection, hanging side piece and outside skirt width. Perhaps only one of those three properties interests you. Ask how the side area attaches on the actual offer and which offered changes really exist. A longer hanging shape proves no independent cape function.
Examine the upper line with lowered arms and during an ordinary arm movement afterwards. The photograph shows no tested freedom of movement. Add or remove the headpiece separately for your own combination. Compare the same dress rather than changing neckline, shoulder piece and jewellery together. Confirm fibre and care on the actual product as well.