The silver-grey floral front joins two rounded upper areas through a deep narrow central opening. The shoulders are bare. Large motifs spread across the waist and hips while finer long drawing travels downwards. Both arms are overhead. The complete floor contact and shoes are not clear enough to determine your own finished length. Keep the supplied information separate from that missing lower view.
Compare the motif scale with the smaller elements of the pale fine-strap front. A large flower is a different visible unit from a dense field of small reflections. Ask to see your actual candidate with the arms lowered in a normal stance. You can examine its upper edge and side drawing under more comparable conditions. Different poses do not establish the same result in movement; describing what is visible is sufficient.
Also obtain an appropriate side and rear angle of the same garment. Water or people in a background do not establish a particular event. Floral drawing identifies neither fibre nor manufacture nor internal support. Write down whether large forms should remain continuous or matter only in selected areas. Complete that visual preference with actual product information.