A pink floral edge frames the open shoulder line here. Below it sits a closer-looking middle with a narrow tie, before the skirt becomes substantially fuller. A front opening reveals a leg in the photograph. The large floral forms provide a different upper drawing from the quieter coloured references. They can inspire a group idea without automatically being intended for everyone.
Decide whether you mainly want to repeat pink or also the floral shape. If colour alone should connect, place a quieter pink candidate beside it. View both real pieces in the same light. This shows how much different decoration your shared agreement welcomes rather than introducing further rules only after purchase.
On your own candidate, try holding a bouquet and making normal arm movements. The upper edge should sit as you want through those states. Begin with small jewellery and add pieces individually. That assessment does not establish a wedding role for the pictured person. The useful information remains visible colour, floral distribution and your own movement trial on the actual garment, with the lower opening assessed separately.